Feb. 21st, 2015

Chad desperately needed a break so we enlisted the babysitter and went to see this.

The nice thing about hearing about it from many different avenues is that my expectations were very low and it exceeded them. I honestly cannot say that it is a good movie, but it is less bad than I was expecting—see: very low expectations. I thought I was going to have to force myself to find things to like about it, and in fact I did not, I genuinely enjoyed myself. I think I'm going to go with "delightfully batshit" as my two-word summary.

The thing is, as many non-professional-reviewers have said, it is a straight-up unashamed id-tastic power fantasy for young women. And somewhat along the lines of what [personal profile] metaphortunate has been saying about women's fantasies WRT Fifty Shades, it's hard for me not to see the over-the-top-ness of it being devalued by a lot of critics because it's got a young woman at the center. Putting Fifty Shades aside, because that is a discussion I do not want to host for a number of reasons:

Jupiter Ascending is a secret-heir power fantasy, kitchen-sink variety, with: gorgeously expansive visuals; lots of chase and fight scenes; inexplicable scenery chewing; what I would swear is a Princess Bride homage; good momentum except for an ill-advised bureaucracy parody part-way through (it's only 2:07, which is downright speedy for a Wachowski sibs movie); non-white people who may only be in secondary roles but at least don't die for the white heroes (I wanna be Captain Tsing); and a critique of capitalism that is crashingly unsubtle but is also less insipid than Interstellar's big message. There are way, way worse recipes for a big-budget SFF movie. And, seriously: I did not have to force myself to enjoy it.

SPOILERS )

Trailers:

Ant-Man, which I continue to resent the existence of.

Chappie, which looks like a completely different movie in the new trailer. I'm still not sure it's a movie I want to see (that body language keeps driving me nuts, it's so obviously human-inna-suit), but the difference between that and the first trailer is kind of stunning.

Spy. I am allergic to the kind of comedy that Melissa McCarthy does, as I am to almost all movie comedy, frankly, but I hope she kicks ass in the movie and at the box office.

Run All Night, which looks like a positively loathsome specimen of the Liam Neeson-as-inexplicable-badass subgenre.

Ted 2. I somehow missed the existence of the first movie and I wish that happy state of affairs had continued, as I am fairly sure brain cells died in protest at watching that trailer.

Focus, which is a Will Smith con-man movie, and which I might love or loathe depending on how the tone, treatment of women, etc., shakes out.

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