Saturday, July 15th, 2017

kate_nepveu: sleeping cat carved in brown wood (Default)
I was going to say, last one for night, and then I remembered I went to three in a row but four total for day. Whee.

Lila Garrott (leader), Bart Leib, Natalie Luhrs, Sonya Taaffe, Vinnie Tesla
Our panelists muse on books that are really bad but in an amazing way! Genevieve Valentine's term "shitmazing" may be appropriate here. What makes something both terrible and great? Are these works worth analyzing and perhaps even emulating, or do they exist simply to be enjoyed (if that's the word) on their own merits (if that's the word)?

more tweets, getting less cleaned up as we go )
kate_nepveu: sleeping cat carved in brown wood (Default)
NOW the last one. Can I get to bed before 1 a.m. before the day with three programming items? Why am I doing this, anyway? (Because if I don't know it won't get done and I have an overdeveloped sense of responsibility. Alas.)

Erik Amundsen, David Bowles, Rosemary Kirstein, Naomi Novik (leader), Nnedi Okorafor
Specialized and secret fields of knowledge create barriers to understanding and can become mechanisms of cultural control. They can also be foundations for resistance. They can support or destroy communities and instill gratitude or resentment. All these things could be said of both magic and science, and the wielders thereof. The tradition of pitting magic and science against each other goes back to Tolkien's anxieties about industrialization, but today's speculative works have moved beyond it to recognize that the two can coexist and are often used similarly as metaphors. We'll examine Guest of Honor Naomi Novik's mix of historical technology and dragons, Guest of Honor Nnedi Okorafor's mix of futuristic technology and sorcery, and other successful amalgamations and integrations.

more collated tweets )

Just under the wire before 1 a.m., go me!
kate_nepveu: sleeping cat carved in brown wood (Default)
I was really not awake for this panel and so took almost no notes; this is extremely sketchy as a result, but better than nothing.

Phenderson Clark, Greer Gilman, Victoria Janssen (leader), Kate Nepveu, Naomi Novik
Guest of Honor Naomi Novik's Temeraire books take a slow and clever approach to a common issue with alt-historical fantasy: if magic has always existed, why have historical events gone essentially the same way that they did in our magicless world? Her focus on the familiar territory of Western Europe during the Napoleonic Wars gradually broadens to include other regions that look very different. This panel will examine this and other techniques for integrating magic into history, including using the appearance or reappearance of magic as a timeline divergence point, limiting magic or paranormal entities to a particular region of the world, portraying paranormal communities or magic-users as hidden and secretive, and entirely reinventing history from the Neanderthals on up.

what I can remember )

Annnd that's all I can remember. Feel free to comment, either if you were there or if you want to continue the conversation!
kate_nepveu: sleeping cat carved in brown wood (Default)
I have a little bit more notes for this! Still not a ton, though.

Jeffrey A. Carver (leader), Glenn Grant, Kate Nepveu, Sonya Taaffe, Sheila Williams
Robots, golems, and other living machines appear human but can never become human, which makes them perfect vehicles for exploring concepts of sentience, emotion, and human nature. Many robots long to be human; it's much more rare to see one that loves being what it is. Far more fictional robots have gender identities than national or ethnic identities. They are often programmed to feel sexual desire but rarely designed to eat a meal or sniff a flower. How do our depictions of robots reflect our changing understandings of what it means to be alive?

I said in my intro that I'm fairly sure my signup for this was just "Murderbot!" and then a bunch of heart symbols, and rather that recap my rec from the panel, I wrote it up for booklog.

Read more... )
kate_nepveu: sleeping cat carved in brown wood (Default)
My Tweets for this panel were 50% despair at being unable to catch the names of things, as I said in the prior placeholder version of the post. However! Robert Killheffer put together this very thorough list, with links, of stuff mentioned at the panel, and gave me permission to share it! I have tried to revise my panel notes into something with minimal overlap with the document, so please do consult both.

S.A. Chakraborty, Haris Durrani, Robert Killheffer, Darcie Little Badger, Susan Matthews (leader)
Discussions of "genre classics" tend to focus mainly on modern Western works. This panel will discuss proto-genre narratives from antiquity and the pre-modern and early modern era in the world beyond Western Europe, including not only myths and legends but early authored works such as the Hamzanama (The Adventures of Amir Hamza), the Baital Pachisi (Vikram and the Vampire), and Fengshen Yanyi (The Creation of the Gods).

Read more... )

There, that's better. Thanks again to all the panelist, and especially Robert for compiling the list.

July 2017

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