kate_nepveu: sleeping cat carved in brown wood (wood cat)Kate ([personal profile] kate_nepveu) wrote,
@ 2011-08-13 09:50 am UTC
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Entry tags:music

I've been listening to the National's album High Violet a fair bit recently. I went looking for lyrics this morning and found this blog, which has YouTube videos and lyrics for all the songs on the album (and many more besides).

I don't have the vocabulary to talk about music, really, but I like the richness of the background against the peculiar spareness of the lyrics (which is hard to quote out of context but nevertheless lodges in my head—I mean, "I was carried to Ohio in a swarm of bees / I never married, but Ohio don't remember me"?). I particularly like "Sorrow," "Anyone's Ghost," "Bloodbuzz Ohio," "Lemonworld," and "Vanderlyle Crybaby Geeks," but the entire album actually works well as an album, which is unusual for me these days (my only two-star song is "Afraid Of Anyone"). [*] Honorable mention to "Runaway" for being used in this character study of Meldrick from Homicide ("What makes you think I'm enjoying being led to the flood? / We got another thing coming undone.").

[*] For instance, I tried listening to Josh Ritter's So Runs the World Away as an album (available from the artist in its entirety on YouTube), and as much as I like some of the songs on that, others make me lunge for the "skip" button. And I can't seem to muster up the attention for the Decemberists' The King Is Dead at one go, for all that I've rated half the songs on it at 3+ stars by now from when they've come up on shuffle.

If you like the songs from the blog, here are handy purchase links: album at Amazon or iTunes.



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kate_nepveu: sleeping cat carved in brown wood (wood cat)


[personal profile] kate_nepveu
2011-08-14 01:57 am UTC (link)
I hate not having vocabulary.

I have a vague impression of janglier and sparser on instruments.

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mkozlows: (idol)


[personal profile] mkozlows
2011-08-14 02:05 am UTC (link)
I'd say it's instrumentally less sparse, actually -- The King is Dead is all acoustic-guitar-y and harmonica-y, and Hazards of Love is more richly orchestrated (try Annan Water, for instance, or The Wanting Comes in Waves (which opens with harpsichords -- which I guess maybe are sparse and jangly? -- but then gets more textured as it goes on, and goes all electric-guitar power-rock when the Forest Queen comes into it).

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