Thanks to the comments here, I have a serious longing for a Silmarillion/Mad Max: Fury Road fusion. Imperator Luthien and Mad Beren! Come on, isn't it eerily perfect?
The reason "If You Were a Dinosaur, My Love" is SFF is that the first time you're reading it, you don't know if it's set in a world where If The Velociraptor From Jurassic Park Were Your Girlfriend (for instance) could be real, and it's that tension about the possibility that gives the story some of its emotional weight.
(Yes, I know the second link came after, I'm using it as an example.)
( right behind the cut )
And now, to eat the breakfast I haven't yet in order to get them out the door on time, walk the dog, and do all the housework that I comprehensively failed at last night. Also go to work.
I was interviewed by Lost Hope, a podcast discussing and, eventually, reviewing the show as it airs on BBC America. The first interview is Peter Harness, writer of the series; mine starts at 23:34 (with a Drawlight-style introduction that does a commendable job of pronouncing my last name, even though I'm not technically a Mrs.). Having steeled myself to listen, I think I kept myself to a reasonable speed and only rambled a little bit . . . ?
A couple interesting tidbits from the Harness interview, which I will cut for super-minor spoilers:
( really, very minor )
Also: BBC America has put the entire first episode up on YouTube! The schedule on my TV—this coming Saturday!—shows it as an hour and fifteen minutes, so at least the first aired episode will not be trimmed for US commercials; we'll see if the subsequent episodes follow the same plan.
( spoilers for Fashion Week )
I haven't been keeping up with fic in this fandom; anyone have recs, particularly of stories in script format or otherwise extremely canon-typical in tone?
Elephant and Piggie, if you're not familiar, are early reader books (i.e., extremely limited vocabulary and low-density text) about the two best friends of the title. They are to be treasured, because they are adorably fun for adults as well as children—SteelyKid can rattle through them with ease, now, but the Pip also loves them to pieces, and they're wonderful for dramatic readings. (I went to our local used bookstore, hoping to get a stack of them, and couldn't find a single one of any of Willems' books. The library has an entire shelf of Elephant & Piggie that sometimes goes down as low as a couple of books.)
This was about an hour long and transitioned between, uh, at least seven of the books. [*] The Pip got a bit restless by the end, especially as the adaptation of We Are in a Book! to ...Play! involved audience participation, which he was not having any of (that's my kid), but on the whole it went down well with them. I liked it too, except the song they made of I Am Going!, because having Gerald (the elephant) not only sing at Piggie about how he doesn't want her to go but physically stop her is weird and creepy and yuck.
[*] I Am Invited to a Party!; Elephants Cannot Dance!; Listen to My Trumpet!; I Love My New Toy!; I Am Going!; Should I Share My Ice Cream?; We Are in a Book!. I am not entirely sure of the order of these.
With that caveat, recommended. And seriously, Willems is a treasure, you can't go wrong with E&P, or the Pigeon, or the Knuffle Bunny trilogy.
I saw it described numerous places as a two-hour chase scene and that just sounded really tiring, especially combined with its over-the-top aesthetic. But it does know that viewers need quiet moments to catch their breath and the pacing works pretty well—though I misunderstood spoilers and thought the movie ended somewhat sooner than it actually did, so that was a little weird for me.
I've seen a lot of praise for the action scenes, particularly their use of actual vehicles. To me, something about the way the first vehicle sequence was shot didn't make it look any more or less "real" than good CGI—I think it may have been slowing down and speeding up things for effect? It wasn't very engaging, anyway, though not as distancing as the truly terrible opening sequence of Ultron. By the last big setpiece I was engaged, but that was probably as much emotional as anything. And, overall, the aesthetic was not particularly my thing (except for Imperator Furiosa, Charlize Theron's character, which (a) has her face and (b) is about the most simple thing in the movie).
Yes, it is about the toxicity of masculinity in a sexist world, and yes, there are lots of matter-of-factly disabled characters, including at least one and possibly two protagonists, depending on how you view things. (However, there is just one obviously non-white character.) But enough was done right about sexism and the female characters that three moments spotlighting male characters at the expense of female characters felt particularly jarring to me—not enough to completely overcome the overall effect, but enough to be distracting and unpleasant.
Finally for general comments, many of the logistics make zero sense, as people have noted. The majority of them I can accept as (a) the product of a deranged mind who doesn't care so much about efficiency as supporting a cult (the water distribution, human milk, gasoline wasting) or (b) the price of admission (Max's likely age). The one I can't actually handwave past is Furiosa having the position she does, actually; she's the only woman we see driving rigs or in a position of explicit authority over men, and I have no idea how she could've got there in this atmosphere. There'd be no movie otherwise, so, price of admission, but I care about her unlike Max, so I poke at the question. (Well, I care about Max, but only with Furiosa. I started getting into the action sequences when they started wordlessly working together, handing each other weapons and trading off shots; and as Chad tells me someone said, there is more chemistry in the bit with the shoulder rest than in the entirety of Ultron.)
Before I get into spoilers, the last thing I can say outside a cut is that that song "Matches" I mentioned last week is totally apropos to this movie. *puts on repeat*
Now, for spoilers. First a thing that is a moderate spoiler but is also an important content note/trigger warning that I haven't seen mentioned elsewhere (though I haven't been reading a ton of stuff about this movie):
( moderate spoiler, content note/trigger warning )
And now for the rest of the spoilers.
( spoilers )
Vacation. Oh geez, make it stop. (NSFW.)
San Andreas. I am so fucking over the expectation that I will find the deaths of millions entertaining. Especially when the trailer ends with a super-cynical effort to mitigate its own disaster porn by linking to a disaster preparedness website. Fuck. Off.
Crimson Peak. Nice to see a trailer for something I won't see because it looks good at what it does. (I don't do horror. Which is too bad because, Jessica Chastain's face.)
Terminator Genisys. I like that they're starting with Sarah already badass, but do we really need to keep doing this? I don't think so.
The Transporter Refueled. I entirely checked out during this, other than to note that Jason Statham apparently is too expensive for these now.
"Matches" by Sifu Hotman [*] was this past episode's weather on Welcome to Night Vale, and as soon as I had a minute, I went and bought the entire album (only $5 on Bandcamp!). Here's an embed of the song, which you can also download for free through the link:
[*] BTW, best band name or best band name?
It builds, so you should listen to the whole thing, but really, it says quite a lot of what you need to know about me to know that I find the last section genuinely comforting (my transcription):
There are no stories told in a vacuum, there is no prophecy lighting our way
There is just a lot of darkness to be afraid of, so it's a good thing we are not afraid
There is no Superman in that phone booth, there is no rewarding our faith
There is no-one who can save us, so it's a good thing we don't need to be saved
There are no starships in low Earth orbit, no aliens to save us from ourselves
There is no voice willing to speak for us, so it's a good thing we know how to yell
There is no Chosen One, no destiny, no fate, there's no such thing as magic
There is no light at the end of this tunnel; so it's a good thing we brought matches
I haven't listened to the rest of the album yet, but I'm really looking forward to it. Check it out.
So I have come home from the latest live Welcome to Night Vale show, taken some Tylenol, given it time to kick in before I stuck my hands in hot water because it's my night to do the dishes, and done the dishes, which means it's time to briefly write up the show so I can go to sleep.
As the above may have suggested, I had a terrible headache through a good deal of the show. Note to self: you are 5' 3", literal front row seats before a raised stage are not a good idea. Between the neck strain, and some confluence of the speakers and the bass output of the opening musical act that had me feeling like a glass of water in a Jurassic Park movie, well, not so good.
Also, have an extremely vague description of part of the show, so vague that I doubt anyone who hasn't seen it will know what I mean: ( so, so vague )
But the guests were delightful and clearly having a ton of fun. If the guest list counts as a spoiler to you, avert your eyes ( now: )
Finally, a fanwork rec:
Open & Notorious (45 words) by fleurrochard, Torra, Rhea, cantarina, bessyboo, Verbyna, anotherslashfan, jedusaur, knight_tracer, argentumlupine, regonym
Fandom: Welcome to Night Vale intro segments
Rating: Not Rated
Warnings: No Archive Warnings Apply
Characters: Joseph Fink
Additional Tags: exciting news, existential quandaries, your linen closet, socket wrenches, Podfic & Podficced Works, Podfic, Podfic Length: 10-20 Minutes, Multiple Voices
Summary: We are all, in our own way, Joseph Fink.
This multi-voice podfic takes Joseph Fink's (and "Joseph Fink"'s) intros and runs with them; it is amazing and if you like Night Vale you will like it—even if you don't like the intros, because it makes them entirely Night Vale-ian instead of only occasionally so. The scripting and editing is impeccable, I laughed out loud at least twice, and basically it's just super-cool.
1) For when they start holding things: this soft-sided sorter comes with three different kinds of stuff inside, hard rattly things, vinyl squeaky things, and soft fabric things, all of which are likely to be of great interest to a young child (and, judging by SteelyKid, to be tasty, too). Plus you can zip up the top and keep all the things inside, which is great for travel. (FWIW its availability seems to wax and wane, as I've bought it for cheaper than the current price and avoided buying it at other times.)
2) For when they start manipulating things: I spent way too much time looking for stacking rings, and these look and feel really nice, plus the slightly different design lets kids experiment with different stacking patterns as they grow.
(Bonus: not a toy, and don't give it as a gift unless you know the kid is using this particular kind of pacifier, but these pacifier holders were essential for us.)
And not for babies, but while I have my Amazon history open:
A really nice tea set.
Open the doors and find animals.
Magna-Tiles are expensive but they're very durable and endlessly fascinating. Good for as young as three, and possibly earlier.
(Finally, if you like to give books, try the "That's Not My..." board books from Usborne (available in any bookstore); any of Sandra Boynton's board books; any of Mo Willems' Pigeon or Elephant & Piggie books; or Peekaboo Morning.)
( super-terrible picture )
[Image: blurry phone pic of figures of Edward Elric, Scar, Winry Rockbell, Greedling, Ling Yao, and Fuhrer Bradley]
This picture came out even worse than usual, so here are links to the Greedling and group figures snagged from the eBay auctions (except for the different Bradley hand-sword combination).
I swear, they were really not expensive averaged together, even with shipping across the Pacific included, honest! I wasn't going to put up the Ed and Winry, since I already have them (that set's been moved to another bookshelf to share space with an art print, since they're smaller), but I do love Ed's dramatic red cloak, and Winry's wearing more clothes here, so I couldn't help it, I kept them.
And now, since I appear to have a fever, fucking hell, I am going to bed.
The Jonathan Strange & Mr Norrell TV adaptation finally has release dates: Sunday, May 17 for BBC One and Saturday, June 13 for BBC America. (I am sure I will have many words to write about this! I'm not sure in what form or where yet, though.)
MCU & Ultron stuff (is that how we're referring to it? A:AoU looks like a werewolf howl): Max Gladstone has interesting thoughts, of which my favorite is the bit about character totems at the very end.
Did I really not link to skygiants's hilarious Ultron summary? Well, there you go.
I transcribed Natasha's speech in That Scene in a comment at Tor.com, which I will probably want to be able to find again (ugh).
Finally, All Trailers Are the Same.
Southpaw: dead wife, daughter taken away, boxing, blah blah manpain.
Jurassic World: I'm pretty sure I'd get more enjoyment of out re-reading If The Velociraptor From Jurassic Park Were Your Girlfriend.
Batman v Superman: Dawn of Justice: holy shit it's actually worse than everyone's jokes about it.
Pixels: here I was, desperately hoping for something fun, I actually laughed at the appearance of Pac-Man, and then boom! Adam Sandler. GAH.
Fantastic Four: it might be the contrast, but this didn't look actively terrible? Not, like distinctive or necessary or anything, but not actively terrible. (It was this one; I gather others were different.) I still roll my eyes that they couldn't cast Sue as a black woman too—I mean, yes, it's absolutely possible that she and Johnny are biological sibs, rather than adopted, but actual literal visibility matters. (Yes, I'm aware about the potential relevance to Sue's powers, but still: cast a very-light-skinned black woman if that's what you're going for.)
Tomorrowland: this is the second trailer I've seen for this, and at least it gives me way more of a sense than the first one? I'm still unsure about it, though.
Ant-Man: well, this trailer was more appealing to me than Guardians, which pisses me off because it'll probably do just as well and I don't want it to, because of (presumed spoiler) and also because I still resent its existence.
Here's a non-spoiler version:
I told Chad that I had pretty low expectations and it exceeded it. And in the light of day, I stick by that, but only barely, now that the high of action scenes and that last shot have worn off. I suspect one main problem of the movie may have been insoluble: Avengers couldn't even juggle six team members, and the number of characters goes up considerably here. But until now (absent Guardians of the Galaxy and Thor: The Dark World, which I haven't seen), I've generally felt that the MCU has done a good job of rewriting comics canon to suit itself. Not so much this time. Add that to the "include all the things" problem, and what should have been the core of the movie felt hollow and warmed-over to me.
(Apparently there is to be a Peter Jackson-style director's cut on the DVD release, which is really something I do not wish to encourage: do it right the first time, for fuck's sake. But I admit to interest in what it might contain, I can't help it.)
Also, the levels of heteronormativity were almost literally toxic.
That said: it didn't do one thing I was dreading, in the moment I was entertained more often than not, and the very very end made me super-happy. So, on balance, exceeded low expectations.
Finally, before the spoiler cut: news articles beforehand said that there was a scene during the credits and none after, which a friend of mine stayed all the way to the end to confirm, so once you've seen the fancy credits and the extremely short scene after that, you're good to go.
( all the spoilers, now, plus speculation based on information released about forthcoming movies )
But hey, on the bright side, I can catch up on the last . . . month, probably . . . on Tumblr now!
Actually, behind the cut I'm going to skip details about the major plotlines (or even mentioning most of them), but expect that in comments, and there will be smaller-scale spoilers.
( spoilers )
Edit: hi, anyone coming here from Meg Jayanth's retweet! If you don't usually use Dreamwidth, just know that (a) if you don't have an account, you can choose the "Anonymous" radio button, but (b) PLEASE sign a name or nickname or something so we can keep each other all straight, okay? Thanks!
PS: I totally broke the game today, I got stuck in Quetta with no Fogg and no money and no way to go anywhere, it was hilarious. (Email to the developers already sent.)