kate_nepveu: sleeping cat carved in brown wood (Default)
At SyFyWire, Small, But Mighty: How Local Cons Are Made. As I said on Twitter, I'm glad to see local fan-run cons being highlighted, but it's pretty weird that there's no mention of anything older than a decade or of the whole community more-or-less (sometimes much less) associated with SMOFs, WorldCon, etc?

Arisia is running a "Reconciliation" programming track; I assume the title is drawing from, e.g., South Africa's Truth and Reconciliation Commission. I hope those who are attending and participating report back. (I am cautiously hopeful, on looking at it; but logistics don't work for me to come at this point.)
kate_nepveu: sleeping cat carved in brown wood (Default)
I'm not doing real notes on this at all, just a few quick comments and some useful tips I want to stash for later.

Description:
An off topic panelist. An audience member who seems to think they're on the panel. An ineffective moderator. How do you address these situations when they arise? What is the role of the moderator, other panelists, and the audience itself?
Jonathan Woodward (moderator), Heather Urbanski, Christopher K. Davis, Michael A. Burstein, Kate Nepveu

This was interesting because I didn't realize I was such an outlier in taking questions regularly throughout the panel, at topic changes! However Heather pointed out that expertise-focused panels, like science ones, often need different structures and much tighter control of the Q&A portions, which makes perfect sense--I basically never do those.

(I previously posted my philosophy on moderating.)

Things I wrote down because I want to use them myself:

A very quiet panelist, or one who professes a relative lack of knowledge (aka the dreaded "I have no idea why I'm on this panel"): "What question would you like to ask?"

Someone who really wants to talk about something else: "That would be a great panel next year, please suggest it."

If you've been asked to moderate on short notice and haven't been able to prep: ask the audience what they want to talk about, say you'll add those topics to your list.

Someone busts out a hateful or offensive term: "We don't use that term here."

And then I was done with brains, and now I am going to bed. Feel free to ask about your own moderation challenges!
kate_nepveu: sleeping cat carved in brown wood (Default)

[personal profile] troisroyaumes asked for advice on moderating con panels, and I kind of blurted out words all over in response. Here is a tidied-up and expanded version for my future reference.

My philosophy of panel moderation is that I'm facilitating and directing a conversation among as many people as possible. The panelists are people who, if programming has done its job, have already demonstrated that they have something interesting to say on the topic. So through the panelists, we can get a concentrated burst of focused discussion out there. Then the audience will extend that in their questions—et voilĂ !, we've just had a conversation about something we're all interested in, with more people than would be practical if we were just sitting around in a bar.

This philosophy means I take a pretty active role as a moderator. I don't enforce a "now each person answer this question down the line" style, because I find that stultifying, but I direct traffic a lot:

  • I plan the structure of the panel. I find this critical to my feeling like the panel has been productive.

    Ahead of time, I confer with the other panelists about what they'd like to talk about. Then I sketch out the main topics that we're going to cover, possibly with a preferred order, and I keep that visible in front of me, crossing things off as I go. We may not cover every thing or in the order I planned, but having a plan helps me keep things moving and cover as much ground as useful.

  • I attempt to balance the flow of conversation between panelists.

    For instance, I ask panelists to follow-up on something they've just said that seems to raise obvious questions or demand elaboration, while promising another panelist who's indicated they've got something to say that they're next (and then make sure to follow through). Or I ask panelists who've not spoken yet on a particular topic if they have anything to add. (This is why I like to sit at the end of the table, so I can see all the other panelists at once.)

  • I attempt to balance the flow of conversation with and among the audience.

    I do this in two major ways. First, I usually take audience questions at the close of major topics (not waiting until the end but not jumping in during the middle of a topic either). Second, I prioritize audience questions from people who haven't spoken yet.

    (I say both of those up front, because I like transparency and find it useful. And I'm explicit when I take audience questions too: "I see you, I just want to see if anyone who hasn't spoken has something to add"; or, "Okay, in the front in the green shirt, then the second row in the red hat, then across the aisle with the dragon, then we need to move on because we're running out of time: go.")

  • Regardless of my plans, I listen to what the other panelists and the audience are interested in, and let that be my guide as long as it's still within the scope of the panel description.

    Once I was doing a panel with a very similar description to another I'd done, and it went in entirely different directions, so I threw out my plans and tried to fall back on "make sure everyone gets heard, make note of follow-up directions and try to use them to keep discussion going when it seems like one topic is exhausted." Another, my structure turned out to be too ambitious because a lot of people wanted to express, in very heartfelt ways, personal responses to the first part of my three-part structure, and it seemed obviously important to let that conversation happen without cutting it off too abruptly.

  • ETA: one more I forgot: if it's a potentially fraught panel, I state extra ground rules up front to try and keep the panel from derailing in predictable ways (examples in one of the posts linked above). And, though you'll probably never need it, have the contact information for con security on you, too.
  • ETA 2: include everyone in the conversation by remembering basic accessibility principles, thanks to [personal profile] sasha_feather in comments for the reminder. Make sure people can understand you/others: tell the audience to interrupt if something is inaudible; use microphones where available; show your mouth for lip-readers; summarize audience comments; don't rely solely on eye contact to identify audience members. Describe any visual materials being displayed. And not exactly accessibility, but on the topic of inclusiveness: don't assign gender to audience members (that is, don't say "the woman in the green shirt" when calling on people).

tl;dr: moderating panels is about making the conversation be the best it can. There are different ways to make that happen; these are mine.

What are yours?

(Also: no, I am not at WisCon this year. We are going to the UK for the Worldcon and I don't have enough vacation time. Alas. I hope those of you who are there have a great time.)

January 2025

S M T W T F S
   1234
567891011
12131415161718
19202122232425
262728293031 

Tags

Style Credit

Expand Cut Tags

No cut tags

Syndicate

RSS Atom