kate_nepveu: sleeping cat carved in brown wood (Default)

Romancing the Runoff is currently running an amazing auction to help support the Georgia Senate Runoffs via donations to Fair Fight, the New Georgia Project, and Black Voters Matter.

I intended to donate two stitched pieces to the auction, but I was too late. Here's what I'm going to do instead:

  • If you're interested in either this 5x5" gold and dark red square, or this 5x5" blue gray and purple square, go donate to Romancing the Runoff in whatever amount you see fit. Those outside the United States can donate, there's a specific link for you, and I will ship anywhere.

  • Comment here to say that you donated and which piece you're interested in. You do not need to tell me how much you donated, share a receipt, etc.; any donation suffices to get your name in the hat. (If you're interested in both, don't donate twice because that'll slightly increase the processing fees, just say so in your comment.)

    • If you're not a DW user, your comment will be screened so that you can leave me your email address.
  • Comment by November 24 at 9:00 p.m. Eastern, same as the auction.

  • I will pick the winners using a random number generator, as I usually do. (I will, at this point, ask the winners to share a copy of their donation receipt with me.)

Let me know if I've overlooked any contingency, and thanks!

kate_nepveu: sleeping cat carved in brown wood (Default)

I hand-sewed my first few masks, back in March, and acquired an entry-level sewing machine relatively early on. Since then I've been iterating machine-sewn masks as I learned what I liked. I was asked today elsewhere about the current iteration, and I've been meaning to write this up, so now's the time.

Iteration n-1 is a minor variant on the Clover mask, for which there are instructions at Google Docs. You can see it in the first three pictures of this Google Photos album. I tried this because (1) it involves just rectangles and straight lines and (2) it introduced me to the idea of a single fabric tie, that loops behind your neck, comes through each side of the mask, and then fastens behind your head. I find this more comfortable for long wear because it doesn't pull on my ears.

For the fabric ties, I don't tie the ends behind my head, because that way leads to pulled hair and annoyance as I get the tension wrong the first time and have to re-tie it. Instead, I thread each end through a double cord lock/cord stop, and then sew the ends together. Quick to go on, easily adjustable, can't come out of the mask.

I do like this conceptually, but because I have a quite flat nose, I was beginning to dislike the way the mask rested against my face. Then I saw Bizzy Bates' masks, which kind of pop out at the nose and chin, holding the fabric away from your face, and said, "Oooh, I bet I can do something like that." And I did. (I have ordered one of hers on principle, but it hasn't arrived yet.) My version is the second three pictures in the same Google Photos album, inelegant excess stitching and tailor's chalk marks and all (I took the pictures right after I finished it).

(And yes, I bought a full bolt of that fabric. It was before stores reopened and browsing Joann's website for what was available for curbside pickup was such a pain that I didn't want to come even close to running out.)

Instructions, illustrated with origami paper: )

Anyway, this might not be enough for those who really need separation from their face, for which there are more structured alternatives. But it's very easy to make and requires no additional materials, so I thought it worth writing up.

Oh, and as you can see, for ear-loops (which I do like for short-term, quick-on-and-off uses), I use hair elastics cut open at the glue join, not elastic cord, because when I first started, there wasn't any to be had.

If anything about this wasn't clear, please ask!

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kate_nepveu: sleeping cat carved in brown wood (Default)

First, another completed project, an all-blackwork square. If you can't see the image, open this link in an incognito window; I should really go back to self-hosting images but for now, convenience will win out, my apologies.

geometric shapes stitched in purple, blue, and gray thread, that form a square on a white background

This is another pattern from Seba Designs, but I think I must've gotten it as a freebie or something way, way back in the day, because it's not available in the FB group's files. I messaged the designer to ask if she wanted me to upload it, and haven't heard back; I'll ask again when I post there.

I stitched this on white 18-count Aida with one strand of Caron Waterlilies 110 (Hyacinth). I went down to 18-count because a single strand didn't show up the way I wanted on lower counts, and because if I used more than one strand, I would've felt obligated to keep them parallel, which would have kept this from being an easy and fun project. I've never done blackwork with such an emphatically variegated thread before, and it was fun planning how to divide up sections. I don't quite love the design of the outermost section, but on the whole this was very satisfying.

(Also satisfying: most of the way through, I remembered that I had a scroll frame shoved in the back of a closet. I took that out, popped a clamp on the bottom, and just rested my Q-snaps across the scroll bars, with the clamp as an extremely low-rent version of the pegs on this stand that's no longer being made. Stitching two-handed, with my dominant hand underneath and other hand on top, is so fast.)

I actually finished this on Monday. I know exactly what fun project I'm doing next, but I was very good and did not start it, which worked out well because later that day I ended up spending a few hours mending a quilt that was made for Chad when he was a baby; it has various cut-out shapes hand-sewn to the front, and unsurprisingly, over the last decade of heavy use on the couch by our kids, those shapes have started coming loose. While sewing that, I found myself pondering how nice it is to have something that was made so long ago, and I have a sewing machine now, what if I started making quilts that might be family heirlooms in the fullness of time…

…and then I remembered that the day before, when I had been hemming fabric with my brand-new sewing machine to turn into masks, I had said to myself, "I know this would go a lot better if I ironed the creases the way all the instructions say to. But: I don't wanna." And so I didn't. (It turned out fine. It would have been better if I'd pressed it, of course, but still: fine.) So quilts, which appear to be all about precision, are not for me.

(Plus I've missed my window to create heirloom blankets for this generation, really.)

Anyway. More mending of the quilt, once I further tweak my homemade duct-tape-and-dime thimble; more making very simple masks on the sewing machine. And then: more blackwork.

Are you crafting at the moment? Anything you're eyeing once you can get the materials/energy/time? Feelings about needlework stands (I have many, which I omitted from the post for the sake of time)?

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kate_nepveu: sleeping cat carved in brown wood (Default)

Finished a stitching project tonight. After I finished catching up on the daily temperature chart, I found myself in the mood for blackwork, because all the backstitch I had just done was very annoying (that black floss (DMC 310) behaves like very cheap dental floss). I had a bunch of patterns from Seba Designs, so I pulled up the PDFs and sorted through my floss stash and away I went.

The usual attempt to embed a preview from Google Photos (edit 2: if the embed doesn't work, try opening the link in an incognito tab, my guess is that it's some obscure cookie conflict):

stitched concentric sets of geometric shapes making up a square

I did this over two on 28-count off-white evenweave; stitching over-two made it take longer, but I didn't have any Aida in off-white. Even still, blackwork turns out to be addictively fast when you're not trying to make the back look as identical as possible to the front—this is a little over 5 inches square, I started it on March 27, and I mostly confined my stitching to the weekends. Unfortunately all of the floss I used is so old that it's no longer available; it was the Gentle Art sampler threads in Gold Leaf, Weathered Barn, and Cinders. I originally picked the colors revolving around Cinders, the black-with-red, but I ended up not liking that as much because I didn't care for the way it veered sharply but briefly into the red. On the other hand, the Gold Leaf was great, I loved the way it was so rich in both its light and dark shades.

I have no idea what I'm going to do with it. I'm planning at least one more blackwork stash experiment, so I figure when I run out of experiments, I'll look over the results and then decide what to keep and what to give away.

If you like the pattern, by the way, the designer has put up all her stuff in the files of a closed Facebook group, because she's not selling them any more; this one was in "SEBABlackworkCollection.pdf."

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kate_nepveu: sleeping cat carved in brown wood (Default)

I spotted DMC's new-ish sparkly floss, Mouliné Étoile, in a store back in the fall and wanted to try it out, so decided I would make SteelyKid a Pride keychain for Christmas, because they had the necessary colors in-stock.

I finished it yesterday, so not timely at all, alas, but SteelyKid still liked it.

the usual attempt to embed from Google Photos )

If the above embed doesn't work, the image—and a short video—are down at the bottom of the stitching album.

So how was the Étoile to work with? Fine. I reflexively used the loop start initially, and it doesn't like being folded in half like that, the sparkly bit and the cotton bit separate and bunch up. Otherwise, it didn't need particularly special handling.

Those colors were C550, C666, C699, C725, C816, and C995, just because they were what was in-stock, on 16-count Aida for a 2x3" photo keychain, finished with a row of nun's stitch in white. I had a little trouble fitting the finished stitch into the keychain, and I am steadfastly refusing to check whether I failed to account for the border edge in my calculations, because that would be just embarrassing. (Alternatives: the fabric size was very slightly off, or it got stretched a bit in the stitching.)

So that's done, three months plus late, and now I can start on the daily temperature chart for 2020 that seemed like a good idea for some reason . . .

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kate_nepveu: sleeping cat carved in brown wood (Default)

So I finished my second embroidery project a lot quicker than the first, partly because it was much simpler and partly because I did a fair bit of work on it on the cruise while doing podcast-catchup.

The usual attempt to embed an image (original at Google Photos):

This was from a kit, except that I changed the green from backstitch to stem stitch, for aesthetic reasons and because I like stem stitch. Unfortunately I did not love the stitching process; the pattern used unnecessarily similar colors and my needle was too small, which I didn't realize until I read this blog post about halfway through stitching. (I don't know if I was using the needle that came with the kit or not.) Collectively this meant a lot of picking out stitches with attendant frustration.

But, it's done and doesn't look bad even to my excessively critical eye. And I've already started my next project, this absolutely beautiful fall tree, which is a significant step in up materials and complexity for me. I love it immensely and am so excited to be working on it.

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kate_nepveu: sleeping cat carved in brown wood (Default)

I've been working on this embroidered floral heart for almost two years, which seems unlikely, on one hand, because it does go very fast, and perfectly realistic, on the other, since I went very long stretches without picking it up. But I finished it a few weeks ago, damp-blocked it on our ironing board, and put it in a cheap Target frame. (I used spray adhesive, because the fabric was smaller than the backing board and I figured that would make lacing it in place annoying. This worked fine, but I can definitely see that lacing would be just that bit better.)

Anyway, full photos over at the Google Photos album; I shall attempt to embed a close-up of the finished version behind the cut:

picture of embroidery )

This was a decent first project, which only used five stitches: stem stitch, backstitch, straight stitch, French knots, and detached chain stitch. For all that French knots get a bad reputation, I have to say that I had the most difficulty with the detached chain stitch, which surprised me. Also, the straight stitch kind of stressed me out, because I had trouble getting the spacing (a) visually the way I wanted it and (b) fairly consistent in neighboring areas. But it is nice not having to look so much at a pattern and having variety, compared to cross-stitching.

The printed fabric was from Fileuse d'Etoiles on Etsy; the pattern is currently only available as a PDF. Unfortunately I did not love the pattern, which used color-coding in a way that I found hard to parse. (I also made a few different colors choices deliberately.) I just started this very easy Christmas tree kit and am contemplating switching up some of the backstitch for stem stitch, maybe for the green "trunk" parts; I'm concerned it might get crowded, though, so we'll see. It'll be a good travel project, anyway. After that I have this fun squirrel that was a surprise gift, and then we'll see; it might be time to try crewel, because I've been eyeing this shop's kits for ages.

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kate_nepveu: sleeping cat carved in brown wood (Default)

I re-stitched that keychain of Captain Marvel's symbol, but this time I reduced the pattern by one row/column all around, used that space to finish the edge with nun's stitch, and then just trimmed it and popped it into the keychain. This worked much better than folding over the back, cramming the too-thick fabric inside, and supergluing the back shut.

Full photos and pattern remain at the Google Photos album, but I will try to embed the comparison pictures behind the cut:

tall images )

And that is how I learned that superglue dries cloudy and visible on acrylic. (Reposted for poll.)

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kate_nepveu: sleeping cat carved in brown wood (Default)

Gosh, cross-stitching little things is addictive. They finish so fast!

I made this Rainbow Pride Planet as a pin. The model is on black fabric but I hate stitching on black and only the edge was going to show, so I went with white. Stitched on 18 count to fit the largest cover buttons I could find—which I recommend, they were super easy to put together, and then I just used Krazy Glue to attach a bar pin. Mostly stitching on 18 count was a relief after the 22 count of the Captain Marvel keychain, but I am super tired of stitching on Aida; 18 count is probably big enough that I could have used the sewing method, but the fabric was just so stiff. (Also occasionally the stitches would get a little crowded, which is visible to the extreme perfectionist such as myself.)

Picture at Google Photos in case the below embed stops working:

I have the materials to make another one of these, does anyone want one in due course?

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kate_nepveu: sleeping cat carved in brown wood (Default)

I had seen these 2x3" photo keychains mentioned as good for cross-stitch, and had been vaguely contemplating making something for a while, because I broke my last keychain (Garnet on one side, Ruby and Sapphire on the other). After the Captain Marvel movie, I decided I wanted to stitch her symbol, but I didn't love any of the patterns I found, so attempted my own. I went for the comics version rather than the MCU because it was simpler and therefore seemed more suited to the limited space.

There are pictures in this Google Photos album, but I'll try to embed the best one here:

[Image: cross-stitched version of Captain Marvel's red, yellow, and blue star symbol]

I stitched this on 22-count white Aida (22-count is usually listed as Hardanger, but it said Aida on the tube), over one, with 1 strand of floss. Colors: red: DMC 498; yellow: DMC 973; blue: DMC 336; backstitching: DMC 823. The outside backstitching is two strands, because I really wanted the angles to be smooth and straight and the thicker backstitch helped me hide the jagged bits. (I had initially thought about doing a strand of yellow and a strand of dark blue together, but it didn't look as I wanted.)

I really liked this! It was a very easy relaxing stitch—well, once I got used to stitching on 22 count, which is quite the change after stitching on 14 or equivalent for my whole stitching career. And it looked just how I wanted it when I finished the stitching. Unfortunately, I don't love it as a keychain, but I have some ideas on how to fix that next time.

link to pattern and lots of natter on process )

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kate_nepveu: sleeping cat carved in brown wood (Default)

Last night I hand-rolled a Google spreadsheet to track my embroidery floss, including columns for floss assigned to specific projects and an auto-generated to-buy column. Then I went through all my supplies, entering floss and tidying up my patterns and so forth, and it was extremely satisfying. Also, I am not allowed to buy any new projects, except for the one I bought yesterday that was the final straw prompting this reorganization.

Of course I finished that slightly late, and then the Pip needed me for an hour in the middle of the night, which hasn't happened in ages, so sleep deficit, back again so soon.

Today SteelyKid declared a desire to learn D&D, which made me think ruefully of my statement, less than a week ago, that I could never do tabletop roleplaying! Anyway we bought a starter kit today and Chad was the DM, since he played some in the past. The level we're playing on is not very taxing, of course, and we made it through one combat session and it was fun, the kids were really creative and into it. But it was very time-consuming, and softball and baseball start this week, so I'm not sure how much we'll pursue it in the near future.


Links:

  • It appears that muting various Twitter meta-keywords will keep stuff off your timeline that isn't, you know, tweets from people you follow. (You may need to clear cache to see the effects.)

    Since the link is an image, go to Twitter's muted keywords settings and add these:

    • suggest_ranked_timeline_tweet
    • suggest_pyle_tweet
    • suggest_activity_tweet
    • suggest_recycled_tweet
    • suggest_recycled_tweet_inline
    • suggest_recap
    • suggest_who_to_follow

    For desktop, this is an improvement over my prior method of using CSS to hide things—plus AdBlock, you still need an ad blocker—because it follows you wherever. For Android, I'm sticking with a third-party client (Twidere), because it doesn't include Twitter's ads and I don't have to keep telling it which order to read things in. (You could also run a Twitter instance in Hermit, which has a native adblocker.)

  • Please enjoy this story seed: "The ultimate power move in a vampire/fairy rivalry would be the fairy inviting the vampire over for tea."

  • The subreddit for The Magicians is r/brakebills, and an innocent person mistakenly posted about . . . the bill for their brake pads, which ended up being a much-needed bit of levity for the fandom post-season finale, as mistaken person was very sweet and gracious about it.


Avengers: Endgame spoiler fics, extremely minimal descriptions )

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kate_nepveu: sleeping cat carved in brown wood (Default)

I popped into /r/CrossStitch and found it consumed with talk about Target bags? Turns out the dollar bins at the entrance to stores are selling various bags of perforated faux-leather and the cross-stitching community spotted them. SteelyKid and I had to go to Target for something else, so we grabbed a few small makeup bags; she immediately decided that she was going to stitch one as a watermelon slice and spent a happy while last night marking up the pattern template a Redditor made and going through my floss stash to pick colors. She's chosen a full-coverage design, so we'll see whether she actually finishes the stitching, but if she doesn't I will. (I think I'm going to try and do a Captain Marvel symbol on one of mine.)

Other links:

  • The NYT on how museums decide what to get rid of.

  • Carvell Wallace profiles Samuel L. Jackson:

    This becomes clear to me when I later interview him in the country-club restaurant and he sprinkles n-words and motherfuckers about the dining area like handfuls of glitter as Grandpa- and Memaw-type club members look awkwardly into their eggs Benedict. He behaves not only like a man who belongs here but also like one who basically owns the place. His casual inattention to the perceived authority of white power structures is so deeply woven into his way of being that in his presence it seems bizarre that anyone, anywhere, would think to behave differently. A lot of people like to say they don’t give a fuck. Samuel L. Jackson simply doesn’t.

    (Both the above via Go Fug Yourself.)

  • Chad took this two-second gif of a giant crane chomping a campus building, which just really amuses me.

  • This story about the oldest American picture book still in print is a journey. (Via Tom+Lorenzo.)

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kate_nepveu: sleeping cat carved in brown wood (Default)
Somehow, I don't know how, I started following an embroidery blog, Mary Corbet's Needle 'n Thread. And I liked what I saw, but transferring designs seemed really tedious and also fraught with the possibility of error, and it's not like I don't have enough stitching projects on hand already.

. . . and then, of course, I found pre-printed "coloring book" fabric in a craft store, very cheap. So I decided to give it a try, using spare floss from my stash.

The fabric is "Zenbroidery", specifically the Garden print. The picture has suggested stitching, but, well, check out the big version: you could see the printing through the stitching, I just couldn't make myself do it. So I dug through the Needle 'n Thread archives for ideas, picked out some floss, popped the fabric on my Q-Snaps, and started out.

It was a lot of fun at first! Not having to look at a pattern makes things flow surprisingly quickly and enjoyably. And making the vines split off and curl around was very satisfying.

Here's as far as I got before I stopped:

picture )

(click to make huge, or view on Google Photos)

I'm stopping for several reasons: I don't like the colors I picked; it's too big (10" square); satin stitch with a single strand of DMC is incredibly tedious; and worst, the fabric is just awful: it's so thin you can see the brown desk underneath it, and every time I had to pick out stitches or try to set them close together, I was afraid I'd rip it.

So I'm going to put this aside and get some better-quality (and smaller) preprinted fabric from Etsy, as my travel project. Because I have also started gridding the Teresa Wentzler Celestial Dragon, nearly eight years after I was given the pattern, and that's not a travel project in the least. (I'm making myself a ruler for the gridding, and even with that I'm still so nervous about messing it up that I'm sure I'm going to recount all the blocks regardless, because I'm planning to do as she suggests and stitch the border first . . . )

Do you embroider? Do you have a favorite pattern source or type? (I think I might try crewel at some point, because the nice soft thick wool threads look very appealing.)
kate_nepveu: sleeping cat carved in brown wood (Default)
So this Overdyed Red Dragon by Dragon Dreams was a gift at Christmas 2008, a.k.a. the Christmas after people heard that I'd started cross-stitching again to make stuff for SteelyKid's room. I started it in 2010 on a scroll frame (skeletal picture), but that meant it went very slowly because I do most stitching on my lunch break at work, and bringing the scroll frame in seemed a little much.

After experimenting with stitching in the hand, I took it off the scroll frame in November 2015 and brought it into work; at that point I'd finished the body through about, oh, draw a line up from the edge of the right-most claw. Up close, you can see where the stitches become a bit fuller because of the change, but I don't think it's obvious if you aren't looking for it. So I finished the body and did the metallic threads, the backstitching of the solid parts, and the belly scales. And then I came to a screeching halt when the thread I had for the wings was the wrong color—it was what was specified by the pattern, but the manufacturer must've changed the color. I went on A Quest to find overdyed thread with a lot of red, blue, and purple: made a couple of trips to moderately-local stores, ordered literally half-a-dozen things off the Internet (half of which required test stitching to rule in or out), and finally gave up and ordered the same color as the belly scales, except in silk not cotton. Way less blue than the model, but it was the best I was going to do.

I do regret that I stitched the wings on the short diagonal, not the long one, which I think would make more sense anatomically, but I started with the top narrow section, had to rip out substantial portions at least twice (not counting all the test stitches), and so I was very much not in the mood to redo that entire section when I got to the first wide section and realized what I'd done.

Here are some pictures! Taken with my phone, because I get very direct sunlight into my office at a certain point in the day and taking pictures with indoor overhead lighting is always unsatisfying. The fabric is a pale steel-grey/blue-ish, not white. Click to make ginormous.

four images )

Anyway, I did this first as kind of a test run for the other dragon pattern I received that Christmas, as they are both large and use metallic thread. There's one little thing I want to do before I start that, but then full speed ahead! (I think I'm going to try stitching it in the hand, just because it is so fast for whole stitches, but we'll see how it goes; wrangling a much wider piece of fabric might be too difficult. Though if I don't, I'll probably go with Q-snaps instead of the scroll frame, for convenience.)
kate_nepveu: quasi-botantical design stitched in green thread on cream fabric (blackwork)
The designer who created the blackwork patterns for, among other things, the bookmark in this icon has all her patterns on sale at Etsy for $2 each (unfortunately this is because she has to shut down her shop because of new regulations in Turkey, where she's from).

I know a few of you stitch and have admired her work before, so there you go.

(I still haven't been reading DW, sorry, and now I have to go prep for oral argument tomorrow)
kate_nepveu: quasi-botantical design stitched in green thread on cream fabric (stitching)
For Chad's mom's Christmas present, I made a snowman on a blue background from a kit. I don't have a good picture because I didn't remember until after it was framed, meaning reflections like whoa, but here's a little one just to prove that I did it:

small picture )

I'd never stitched on dark fabric before, nor with a single strand of floss (a deliberate choice by the designer, to give it an airy feel); the latter turned out to make stitching rather unforgiving, so I gave up trying to stitch in the hand and broke out the Q-snaps, which was definitely the right choice.

(I also tried framing it myself but the foam board was too thick for the deepest ready-made frame I could find, and I didn't trust my ability to line it up properly without using pins and foam board. Oh well.)

Next up, finishing the red dragon. I am currently backstitching the body, and then I just have to fill in the wings and body and I'm done, so that's exciting.
kate_nepveu: sleeping cat carved in brown wood (Default)
Edit: actually I took it out of storage and am way closer to finishing the body than I thought, so I think I'm going to push ahead with what, I now remember, was a kind of improvised vertical pattern, and see how it ends up.

obsolete )
kate_nepveu: quasi-botantical design stitched in green thread on cream fabric (stitching)
Since the spring, I've done the backing on that red-brown-gold knotwork bookmark, did a blackwork bookmark for a Con or Bust winner (no picture; it's the same as the last one here only in blue), and finished the third cross-stitch for the Pip's room—he liked the polar bears, but then he noticed that SteelyKid had THREE cross-stitches in HER room, so I promised to make him another.

Here's a lousy picture: )

I modified the pattern slightly by taking out the superfluous second "Red" and stitching it over-two, adding in quarter-stitches where appropriate to smooth out the edges.

Next up: Christmas present for this year; then kit up another snowflake bookmark for [personal profile] pameladean for travel but focus on finally finishing the big overdyed red dragon, so I can finally, FINALLY tackle the Wentzler Celestial Dragon. (Both of these were presents to me for Christmas 2008, so, they've been waiting.)

(This means I am firmly discouraged from making another set of Christmas ornaments for people as presents, even if I fell down a hole last night of Mill Hill's kits. I took copious notes instead.)
kate_nepveu: sleeping cat carved in brown wood (Default)
This one's up for auction at Con or Bust (I'm offering a custom-made one, too).

Click to enlarge:

red knotwork front full

The weird waviness is it being unduly flattened by the scanner, because I tried for way too long to get accurate colors with a camera and GIMP and could not.

Pattern by Teresa Wentzler (and a giant pain, it varies the height of the rows it puts in and so I had to take a ruler and pencil in lines so that I could have a proper 1 square = 1 stitch chart). Stitched over two on Antique White MCG evenweave; main stitching in silk, Caron Waterlillies, Cherry 101; satin stitch and Algerian eyelets in DMC pearl cotton size 12, Ecru (best way to do satin stitches EVER); backstitch in DMC 801 (done over one on the diagonals); shiny bits in Krenik #4 Braid Beige (013).

The colors don't quite glow the way I wanted when I saw the silk in the store, but I'm pretty happy with it all the same.
kate_nepveu: sleeping cat carved in brown wood (Default)

I finished this snowflake bookmark a while ago, but haven't got around to editing the pictures until now.

I modified this pattern from Kincavel Krosses to make it shorter—and as you can see, it's still really too big for all but hardcovers:

[Image: bookmark over open copy of Jonathan Strange & Mr Norrell]

I could've left the border off, but I was stitching without a hoop or frame for the first time and I was having so much fun—so fast when you're doing whole stitches!—that I kind of didn't want to stop. SteelyKid saw it as a WIP and demanded it, and she doesn't care if it's flopping out of her books, so it's fine, but yeah, I have no idea why the original design is so long and still purportedly a bookmark.

details and more pictures )

So that's that. And experimenting with stitching the hand went great—I didn't even have to think about the tension in the stitches, it just came naturally. Works less with for things with lots of quarter stitches, a.k.a. the knotwork bookmark I'm finishing now, but OMG fast on whole stitches. I'm a convert.

(If anyone wants, I can give them the edited image file I used for the pattern, because shortening it means moving the interior slightly to center it.)

(Also posted to [livejournal.com profile] cross_stitch.)

January 2025

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