kate_nepveu: sleeping cat carved in brown wood (Default)

I had a very low-key con, which was just as I wanted! I was on two panels, 60 Panels (previously discussed) and one about Everything Everywhere All At Once, which was great but about which I have little to report (though feel free to ask questions/otherwise discuss). I went to half of two panels that were, through no fault of the panelists', not what I was looking for, and the great panel on Wakanda Forever that I just posted about. Otherwise, I got to catch up with people in pre-arranged non-public spaces (excellent) and, alas, spend a bunch of time doing necessary work.

Oh, and I bought jewelry, as I do; pictures at Tumblr.

I do have a handout from a panel on middle-grade SFF, and we'll see if I have time to transcribe it (I got to that one late so I missed all the recommendations that might've been useful for the Pip).

My next con will be Readercon; to my great sadness, WisCon is not in the cards this year (at least in-person).

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kate_nepveu: sleeping cat carved in brown wood (Default)

Panel description:

When Black Panther was about to drop, we were excited to see beautiful Black people in fabulous action adventure, but wondered would Marvel, Disney, and corporate Hollywood roll out an entertaining apology for colonialism, imperialism, and on-going white supremacy? And what of the women? Wakanda Forever continues the conversation. In Black Panther, Wakanda Forever, and The Falcon and The Winter Soldier, there is no individual victory over (nasty) villain who seeks to destroy a (good) world. These stories seem to demand not just vanquished foes but changes in the world. Are these tales of Wakanda revolutionary or reactionary-poison disguised as revolutionary? Are they a praise song to Africa, the Yucatan or a sloppy mish mash of nobody’s culture? And what about the women?

Panelists: Andrea Hairston (Author GoH, who wrote the description); Jadie Jang; K. Ibura (moderator); Marianna Martin

(You may also know Jadie Jang as Claire Light; you may also know K. Ibura as Kiini Ibura Salaam. Both are now publishing under the names in the listing.)

I did not take extensive notes, and sadly I had to leave before audience questions (as the panel was—deservedly!—running over.

Before I get into the spoilers for Wakanda Forever, two things:

Here is an article by Andrea, It’s Our Time: The Women of Wakanda, in the Los Angeles Review of Books, from 2018.

Also whenever I see Andrea on a panel I am filled with envy of her students. I hope they recognize how amazing she is while they're in her class (I know I didn't really appreciate some of my professors until much later).

Spoilers for Wakanda Forever

Andrea: regarding the mish-mash question: that characterization is from the assumption that the audience is white and ignorant. Instead here we have creators who use all that they know and riff on it. Ruth Carter is doing that to create new culture through costumes; Baaba Maal and Ludwig Göransson are doing the same for the music. They are not trying to set the record straight or teach African history, not doing that post-colonial labor: and so inevitably they run into the danger of people who assume that they know is all there is to know.

Jadie: canonically Wakanda is between Ethiopian and Kenya; close enough to coast, central Africa to have influences from both and generally be pan-African

Jadie con't: compare to Namor and undersea world: bleh. Movie doesn't even tell the viewer what culture he is from, what country it was. He razes one village instead of going all over. The design was also very superficial, no cultural moments of ritual like funeral, royal challenge that we see in Wakanda.

K.: I've seen actors talking about powerful the representation was against the utter lack nevertheless

Andrea: I was clear that it was Yucatan, but I saw three times; the movie didn't front load that, needed more time there

Marianna: thought change to Talokan from Atlantis was clever to build on rules knew from Wakanda, thereby reducing exposition needed

K.: a lot of these characters were created at time when celebratory representation was also denigration (e.g. Luke Cage), world is different now

Andrea: not just that characters revised in this movie, been a constant development and change

audience q: really uncomfortable with fighting between black and brown people

K.: reactionary/revolutionary question from panel description: really thinks about centrality of rage to movie

Andrea: it's popular culture therefore it's both. The French try to steal, the CIA wants to exploit ... never goes anywhere. OTOH when people are depicted in full humanity, groups don't have to be in concert and these groups, in particular, don't have precedent for dealing with other groups. Hopes that next movie leads to growth not tragedy

Jadie: went out of way to give Western hegemony good (Martin Freeman's character) and bad people, not for Talokan

Marianna: interested in how decentralized Europe and America were in story, thought they were players but irrelevant. References commonality of cultures, so much time spent establishing that: so the conflict is heartbreaking

(as I think I said in my post, to me it made it hard to take seriously because it was so obviously forcing the story into the necessary MCU format; I spent most of the movie hoping for a third-act mutual enemy to appear because they so transparently should be on the same side)

K.: rage, self destruction, aggression: think we're used to seeing pain depicted in a different way, this movie was bringing something different to the table, it was almost healing to sit in that question of what if we burn it all down, what are the options

K.: discusses significance of Haiti, recognition of its history and the deliberate choice to situate the future there

finally: women

K.: so much more central; web of relationships, complexity

Marianna: mentions Riri asking Ramonda if can call my mom

K.: Ramonda reaction to Okoye coming back without Shuri, navigating layers of trauma

Andrea: so many variations on being a woman, didn't cater by putting in more men

K.: M'Baku role remained authentic to him

Jadie: irritated about Riri's role, as African-American inventor, would she really not think through the consequences of her invention and/or why should she be given that burden? What if she was the inventor of a protection against that detection technique?

Andrea: thought she was a critique of the oppressed internalizing oppression, as she was on the verge of "oh capitalism rules." Shuri v MIT. Gives a personal anecdote about pressure to sell her soul by making money. Again, it's pop culture, it's doing both things at once.

(me: see her comics origin which is tied into Tony Stark instead)

K.: points out that Riri was completely alone, had no community network

And that's where I had to leave, so I didn't get to ask whether they also thought Shuri's origin story was truncated or deflated by the reveal of T'Challa and Nakia's son!

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kate_nepveu: sleeping cat carved in brown wood (Default)

I moderated this year's iteration of X Panels in X Minutes at Arisia, this time 60 in 60. Unfortunately we didn't make it to 60 because we didn't have enough suggestions—even with the five that I didn't discover until after the panel was over. Next time, I need to bring more pens and arrive earlier—I was coming up with backup panel titles, some of which did get used, but maybe if I had been earlier we wouldn't have needed them! Apologies.

The panelists were Andy Hicks, Elsa Sjunneson-Henry (Fan GoH), Griffin Ess, and Michelle C. Light.

For posterity, here are the ones we did:

48 panels in 60 minutes

1) Do/can Skittles replace M&M's in pancakes?

2) Uh-oh, Spaghetti-O's! Round foods in sci fi

3) Is it soup or salad: cereal (and from a different person) Is cereal a soup or salad?

4) My most embarrassing moments as a time traveler

5) How do I get my cat interested in fandom?

6) The inevitable Octopus Revolution

7) Best pokemon to help you survive the apocalypse (possibly, I added, the inevitable octopus one)

8) HOTTEST US PRESIDENT

9) Is it time to cancel Calvin Coolidge?

10) Gentleman Thief, Lady Arsonist

11) Actors: who is a very manly Muppet. Who is a Muppet of a man?

12) Michelle Yeoh

13) Whales in Space :why do they always end up there?

14) Nintendo characters in Danganronpa universe (which I absolutely misread as Dragon-something)

15) screaming until you faint 101

16) Top 3 Brandon Sanderson books + why

17) The Industrial Revolution in Fantasy + Historical Sci-Fi

18) which cryptid would you like to add to your RPG game (as a player)?

19) role play therapy for role play trauma

20) How many reboots is too many?

21) Why are there so. many. galaxies?

22) Your Favorite Library

23) Books that would not make good movies

24) "Eeeww, gross! Taste Read this!"

25) Truth, Beauty and other dangerous things

26) Better Use of Land: Farm or Graveyard (or Both?)

27) If someone wants to find you at a party, what do they start talking about?

28) Curing Fast Track envy (that's the kids activities track)

29) Alice in Wonderland for the 2020s

30) Forgetting you're left handed

31) Post-apocalyptic sci-fi or 80's new wave band?

32) The Netflix Christmas Film Cinematic Universe

33) How to make Fiends and Irritate People

34) (repeat from 2018) would you rather fly slow or run incredibly fast?

35) scaffolding

36) cults

37) how to design long TTRPG campaign arcs

38) (I misheard "tabletop" in one panelist's answer as "tablecloth," so:) ordinary household objects for RPGs

39) (fill in the blank): threat or menace?

40) What if Butterfingers (TM) was a medical condition?

41) best work of 2022

42) best phrase describing the theoretically-productive work you do to avoid the things that have deadlines

43) ordering pizza without naming any foods

44) Air Bud in Cool Runnings

45) an insignificant superpower that you really want

46) alternatives to fuck/marry/kill

47) the most unlikely thing that you enjoy watching videos of people doing

48) Thanks for all the fish

There were also a few food-related ones I set aside because we'd done so many early, and a couple I exercised my moderator's discretion to skip.

Even with my own logistical errors, people still seemed to have fun, which is what counts.

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