here, have a happy vid
Aug. 1st, 2014 12:05 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
(Everything will be fine, plans are in place to deal with it all, it's just a lot of hassle all at once. Thus, a happy thing before falling into bed.)
This is what happens when I am ridiculously busy: I have all these things I want to talk to you all about, and then when I have a little time, it all comes flooding out (I even wrote a booklog post!). Another post written on Amtrak: TV catchup.
I should say that I watch TV mostly with the Pip in the same room, so anything violent or scary is out--not that those are really to my taste anyway. (At this point in SteelyKid's life I'd ditched The Daily Show and The Colbert Report, but though the Pip is acquiring language right now, comprehension at that level is a long way away, I was too cautious before.) Mostly what I want is something with people I like that doesn't make me angry.
Leverage: I would have watched the hell out of the season six they were setting up, so I'm bummed it was canceled. ( spoiler )
Face Off: the SyFy reality show that's a makeup artist competition. I liked this season better than last because (1) no audience vote determining the winner and (2) it shifted the "win your way back on" to a web series for the next season. Also it made more sense logistically that they didn't bring back all the contestants for the finale, just enough for two helpers each.
Elementary: because the first episode opens with a murder, these episodes kept scrolling off the DVR until I picked it up with the episode with the safe, which turned out to be very low-violence indeed (and, with a couple notable exceptions, much more like the rest of the show). I've since seen all the subsequent episodes except "M.", plus the ones that CBS has re-run. This was probably a good place for me to pick it up, where Holmes and Watson are already more firmly into their friendship/partnership. I enjoy the two of them a lot, and I find it ridiculously refreshing to watch something that is actively opposed to the "Holmes as lone super-special genius" idea and (gasp!) cares about its female lead's agency and choices and life. I saved this past week's episode as a treat for myself because ( spoiler )
The mysteries are, unsurprisingly, not very good, but I don't watch TV for mysteries so I don't really care; I like hanging out with the characters and watching Watson learn to be a detective and their friendship.Edit: I meant to link to these two gen Joan-Sherlock friendship fics that I enjoyed:
The Art of Negotiation (6767 words) by language_escapes
Chapters: 1/1
Fandom: Elementary (TV), Sherlock Holmes & Related Fandoms
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Characters: Sherlock Holmes, Joan Watson (Elementary)
Additional Tags: Boundaries, Negotiations, Male-Female Friendship
Summary: For them, negotiation is less about boundary setting and more about upping the ante.waltz across naïve wood floors. (4101 words) by paperclipbitch
Chapters: 1/1
Fandom: Elementary (TV), Sherlock Holmes & Related Fandoms
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Sherlock Holmes & Joan Watson, Irene Adler/Sherlock Holmes
Characters: Sherlock Holmes, Joan Watson (Elementary), Marcus Bell, Alfredo Llamosa, Clyde the Tortoise (Elementary)
Additional Tags: Slice of Life, Platonic Relationships, Platonic Female/Male Relationships, Platonic Soulmates, My First Work in This Fandom, written at least partially during accidental medication withdrawal
Summary: "You're wearing my underwear again, aren't you," Joan says.
(There are, right now, five fics that list Clyde the Tortoise as a character. Sometimes I love fandom.)
Farscape. A few weeks ago I decided I was going to watch this to keep myself awake when the Pip woke up at night (as opposed to sitting down with him and waking up in the rocking chair three hours later with a stiff neck). I've only seen the first episode and half of the second at this point, but more SF shows should use puppets and non-CG effects for their aliens. I've already been warned about the fourth season, and I seem to have lost some momentum, but I really like Browder and Black from their SG-1 run and do intend to go back to it. (I almost immediately abandoned my vague plan to keep up with the AV Club's watch when I realized it was doing two episodes a week after the first episode, but those of you who've already seen the show, they usually do a pretty good job, though I don't know if the comments on this are the quality of those on--of all things--the Korra coverage.)
Nerds of the Earth, take note!: a Leverage/Iron Man-movieverse crossover fic (set after Iron Man 2), by brownbetty and
emeraldwoman. General audiences, 7890 words, Hardison-POV: SHIELD needs a hacker. Funny and insightful.
So it's International Blog Against Racism Week again. I'm not planning anything specific for it, but here's a reposted comment and some links, via ibarw:
Inspired by dhobikikutti's post and in response to this comment from John Rogers, creator of Leverage ('ware spoilers for S2 Episode 2, "The Tap Out Job"),
But listen: my hacker's a hip person of color, my sex symbol isn't an anorexic in her 20's, and my badass uber-thief is a blonde we put in a dress precisely once a season. Even I, on the vanguard of the socialist Hollywood liberal homosexualist agenda, can only punch so many holes on my liberal cred ticket per season.
Can I ask that you punch just one more, please?
Stop having Hardison play the race card.
The only time race gets mentioned in the show is when he falsely plays the race card.
Hardison is never actually the victim of racism. And so even though it's a joke, even though you have good intentions--I assure you that I notice and appreciate that the guest characters are a wide mix of races and ethnicities--the result is that it reinforces the false belief that people of color benefit when they make accusations of racism, and moreover that racism doesn't actually exist because the only time it's alleged is to get ahead.
And because you all seem generally clueful, I'm sure I don't have to tell you that as a person of color, this is just wrong, that racism is real and that calling something out as racist is opening yourself up for a huge shitstorm and, often, much more trouble than benefit.
So can you please ditch that joke? Or perhaps you've already ditched it this season, the same way that Sophie got two whole shows in a row where she wasn't being a seductress.
(And yes, I expect a shitstorm here, from people who will go right past the parts where I say that you have good intentions and are generally clueful and say "OMG SHE'S CALLING THEM KKK MEMBERS!!eleventy-one!" I still think it was important to say.)
No shitstorm yet, to my surprise. I don't really expect a response, as I think from reading the blog for a while that he responds to comments in the post-episode question posts and not others, but at least I've said it, and saw an LJ acquaintance in the comments too. *waves to asim*
And now, for other people's writings:
Three links not specifically written for IBARW but relevant:
And some IBARW posts that I found powerful:
And now, back to WorldCon race-panel prep.
An extremely mixed bag, today:
Of the recent attempts at suppressing discussions of racism that I'm aware of, I think literally and repeatedly ripping down an entire protest display takes the cake. The poison-filled cake of racism, privilege, and oppression, that is. (This was a student protest at the University of Minnesota Twin-Cities Dance Program, ripped down by other students, and the university administration's response was to call the destruction "the changes made by another group of individuals." And . . . nothing else. That would be the icing on this particular cake.)
(Edit: okay, my metaphor got away from me. The protest is actually about pervasive institutional problems, in which context the administration's non-response is more than just icing. But the ripping down (because it will help the discussion! Um, wtf, over?) just infuriates me.)
sparkymonster has a helpful summary with more. Support the students through their petition, passing the word about the protest, or joining this Facebook group.
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tool_of_satan has an interesting thought on what gives LotR its quasi-mythic feel in this thread on the non-European epic fantasy post:
This is a complicated question, but I think part of the answer is Tolkien's use of deep time. Things that happened thousands of years ago have direct consequences that the characters need to deal with, and there are people around who were actually alive back then, mixing with the mortals. Furthermore, we (and the hobbits) are told much less than everything about the ancient people and events - the critical bits, of course, and there are allusions to many other things, but one ends up feeling there are many other stories that could be told, which I think helps make the ones that are told feel more real. (I haven't read the Silmarillion or any of the other posthumous volumes, I should note.)
(Underlined emphasis mine.)
For me, I suspect this may be a matter of the golden age being twelve: it's certainly de rigueur these days for epic fantasies to build or at least suggest elaborate historical and mythological backstories for their worlds, and I mostly feel like they're, well, there because they're de rigueur, and I'm not sure the underlined detail of the execution is enough to make the difference. But I'm also not very interested in epic fantasies now, so my reactions might have been different, back in the day.
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There's a reboot of the Fullmetal Alchemist anime and you can watch it free and legally, with official subtitles, at Funimation. (I recommend a downloader like Orbit, because the streaming is very rocky.) I've been watching but don't really have an opinion yet; it's based closely on the manga which I've been reading, so it's familiar enough that I don't know how it'd look to a new person or in comparison to the first anime. Well, okay, the first episode was filler and kinda dumb, but the manga rocks so I have hopes.
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Songs that make me happy lately: "Toe Jam," by the BPA featuring Dizzee Rascal & David Byrne (ETA: YouTube video of version we actually like; NSFW (but rather clever) for happy dancing naked people with black bars over women's breasts & people's pubic areas); and "Say Hey (I Love You)" by Michael Franti and Spearhead (choose song title in sidebar).
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I've also watched the pilot of Leverage and enjoyed it. I am morally certain that it was pitched as "Ocean's Eleven meets Robin Hood," and indeed the wish-fulfillment is blatant, but my love for capers is fierce, and I suspect that these lawless elites aren't going to be violent, which makes it easier for me to take. Note that the aired order is not the intended order; see this blog post from the creator for the proper order ('ware spoilers after that in the post).
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Two Dreamwidth invite codes; comment if you want one; if necessary, will pick at random and ask for e-mail.
(Decided against crossposting (and asking people to comment only there) until a few more wrinkles are ironed out. Am filtering out people here who are fully cross-posting, and have adjusted LJ "friends" list to try and match DW access/subscribe lists. Now going to look for missing subject pronouns. Goodnight, everybody.)