kate_nepveu: sleeping cat carved in brown wood (Default)

I'm at Arisia (no programming for me, I didn't make sure I was on their list in time after skipping last year, which is fine, very relaxing!). Just now I was part of a conversation in which I asked for recommendations of works that actually show how world-changing events would have widespread, structural consequences that affect people at the individual level. You know, the stuff the MCU conspicuously avoided doing in Endgame and that Steven Universe: The Movie skipped past in, what, two sentences?

Someone said that, despite everything else that could be said about them, the Pern series actually does this, going forward and back in time to show how the planet went from space colony to feudal society to back again. (My favorite of those was always the one where they discover the A.I. that walks them through becoming a spacefaring culture again.) Mercedes Lackey, too, is really into logistics as Valdemar's relationship to magic changes, again, despite everything else.

(I later remembered Becky Chambers' Record of a Spaceborn Few, which is about a particular community, which is in some ways a utopia, during a period of change (but not any especially dramatic one, because communities are always changing). It's told through the viewpoints of a handful of people, who cross paths but not in any major-plot-crescendo kind of way, just living their lives within a society and in relation to it. Somewhat to my surprise, I absolutely loved it.)

This conversation prompted someone else to say that I should write a list of stories that should be revisited, with less fail. And I am very tired and have other things I want to do tonight, so I'm not going to go beyond this, but I'm putting this up so others can chime in if they like. Is there some story you like that isn't as common these days, where the most prominent past examples have other stuff that you would like not to be there, so that it's ripe for revisiting with less fail? I'm not interested, for these purposes, in the core of a story being subverted or reclaimed; more like, gee, what about a Big Dumb Object story but with actual characters? Or The Grand Sophy without the moneylender? Or, as above, Pern without everything having to do with sex and romance?

Anyway, have at it. I'm going to see if I can catch up on Steven Universe Future because there's a panel tomorrow morning. Granted, it's at 8:45 a.m., so I may not make it regardless . . .

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kate_nepveu: sleeping cat carved in brown wood (Default)
Two signal-boosts:

First: Free Admission to ITHACON40/Pippi to Ripley3, the Ithaca College Campus, Saturday May 2, 2015 10am-5pm. Special Guests: Bruce Coville and Laura Lee Gulledge. Free kids workshops include: comic drawing workshops, fantasy writing, steampunk art, superhero cape making, star wars armor workshop, Japanese sword, Belly Dance, Pathfinder RPG game, Game Space, and Zombie Ballroom.

ITHACON40 full guest lineup; Pippi to Ripley full program.

Plus a Friday evening event (also free):

7:00-9:00 Panel on Women Making Comics (Klingenstein Lounge, Ithaca College Campus Center), with Laura Lee Gulledge, Morgan McKenzie (published as “Maegan Cook”), and Danielle (Ielle) Palmer.

Pippi to Ripley is where I gave my Mary Sue talk a couple years ago; I can't make it this year, but if you can, check it out.

Second: the Tiptree Award is expanding into Fellowships, to "support the development of new work, in any form or genre, that uses speculative narrative to expand or explore our understanding of gender, especially in its intersections with race, nationality, class, disability, sexuality, age, and other categories of identification and structures of power" ($500 year, two recipients). The application process is being developed in coordination with micha cárdenas; applications are expected to be opened at the upcoming WisCon (May 22-25, 2015).
kate_nepveu: sleeping cat carved in brown wood (Default)
Hey writers in all kinds of media: this summer, Chad and the Joint Quantum Institute in Maryland are hosting The Schrödinger Sessions: Science for Science Fiction, which is a three-day workshop on quantum physics for writers (a la the Launch Pad Astronomy Workshop). Check out his blog post for more details; applications will open Friday. Housing and breakfast+lunch will be provided (there may also be a small amount of money for travel support), and diversity is a priority in selecting applicants. Please consider applying if it sounds interesting!
kate_nepveu: sleeping cat carved in brown wood (Default)
Reviews and links over at Sindbad Sci-Fi. This expires at 11:59 p.m. today but I'm not clear on time zones. Change the links to .com or .ca as appropriate.
kate_nepveu: sleeping cat carved in brown wood (Default)
Chad is putting together a grant proposal to hold a science workshop for SF writers to learn about quantum mechanics, along the lines of the Launch Pad astronomy workshop—housing and food included, and some travel support too. If that sounds something at all of interest to you, please fill out his survey so he can prove to the grant committee that such a workshop would actually get used? Thanks!
kate_nepveu: sleeping cat carved in brown wood (Default)
It's late but I'm jazzed from good conversation and think I can quickly make this presentable before I go to bed.

Description:

Strictly speaking, there's no reason an artificial intelligence should express gender in human terms (or at all). Yet in much recent film and TV -- such as WALL-E, Her, Person of Interest, The Sarah Connor Chronicles, and Caprica -- gender and/or sexuality has been integral to the vision of AI. How have such portrayals affected what stories are told? What are their strengths and weaknesses? What would it mean to imagine a genderless AI -- or a queer AI?

Charlie Jane Anders, Abigail Nussbaum, Nic Clarke, Michael Morelli,Jed Hartman

Nic: reviewer, watched all the programs being discussed

Jed: former fiction editor for Strange Horizons, now consumes media; fascinated by gender for long time

Mike: Masters student, giving paper on sexuality in Banks tomorrow, feminist literary critic

Abigail: blogger & reviewer, Reviews editor at SH, writes lot about film & TV from feminist perspective

Charlie Jane: writer, blogger at io9, including AIs in some of work (including one forthcoming resolutely ungendered one)

notes, with no fail that I recognized! )

So this was fun! If I've mis-identified anything let me know.
kate_nepveu: sleeping cat carved in brown wood (Default)
Strange Horizons' 2013 SF Count, which calculates the gender and racial distribution of books reviewed and reviewers; they've linked in the comments to the raw data, so you can also double-check their work (the article specifically says corrections are welcome).

The next Vlad Taltos book, Hawk, is up for pre-order on Amazon, with an October 2014 release date; the blurb makes me very hopeful.
kate_nepveu: sleeping cat carved in brown wood (Default)
1) This year's WFC has hit upon the idea of charging for core parts of its programming, specifically book clubs and Kaffeeklasches. This is, as far as I am aware, unprecedented. Worse, the book clubs are being held in a portion of the hotel that is not wheelchair accessible.

This year's chair expedited a Con or Bust transfer of membership, which I appreciate, and I realize that WFC is important to many as a key industry event, so I do not judge people who go. (Con or Bust still has a free membership left for transfer!) But these are really shitty, exclusionary moves. WFC should reconsider.

(A little more discussion over at Scalzi's.)

2) In happier news, the next bonus content in Strange Horizon's fundraising drive is an essay by Bodhisattva Chattopadhyay titled "Recentering Science Fiction and the Fantastic: What Would a Non-Anglocentric Understanding of SF and Fantasy Look Like?", which I very much want to read, so go donate if you are able! If not, spread the word: SH publishes really good stuff and is working hard to give a platform to diverse voices.
kate_nepveu: green and blue fractal resembling layers of a spaceship (science fiction)
Just pulled out of Convention Reporter's liveblogging without formatting or links, mostly because I wanted them all in one place for my own purposes:

list )

Comments: I have literally never heard of Sawyer's novel nominee, but otherwise this looks . . . not bad. Some stuff I nominated, only one category completely without women if I'm counting right (Pro Artist), at least two people of color in the fiction categories (which AFAIK is one more than last year, um, yay?) and another in the Campbell, some newer/younger/not-the-same names.

I do hope that the short fiction nominees will be able to post their stories online, not just make them available to voters, because I think it's important to the community's discussions and the reputation of the Hugo Awards.

ETA: also up at AussieCon's website, with at least formatting & ballot numbers, though no links.
kate_nepveu: sleeping cat carved in brown wood (Default)
Some more Hugo-eligible short fiction that I've read and liked:

"Three Twilight Tales," Jo Walton, Firebirds Soaring (mostly not in bookstores any more, but try your local library)

"The Pirate Captain's Daughter," Yoon Ha Lee, Beneath Ceaseless Skies

"A Journal of Certain Events of Scientific Interest from the First Survey Voyage of the Southern Waters by HMS Ocelot, As Observed by Professor Thaddeus Boswell, DPhil, MSc -or- A Lullaby,", Helen Keeble, Strange Horizons

"And Their Lips Rang with the Sun," Amal El-Mohtar, Strange Horizons

Still reading . . .

And a recommendation: Readability, a browser bookmarklet you can customize to, well, make web pages readable.
kate_nepveu: line drawing of startled cat with vacuum nozzle held to back (fandom)

This is a draft of my ballot for the Fan Writer category in this year's Hugo nominations.

  • Abigail Nussbaum, who blogs at Asking the Wrong Questions (there are links to her reviews at other sites in the sidebar).
  • coffee & ink, who blogs at [personal profile] coffeeandink.
  • K. Tempest Bradford, who blogs all over but principally, for these purposes, at her own site and at The Angry Black Woman.
  • Possibly James Nicoll, who blogs at [livejournal.com profile] james_nicoll; as much as I enjoy his LJ, I tend to think of it more as a news source and discussion place than a source of his writing.
  • Possibly Deepa D., who blogs at [personal profile] deepad; she doesn't post as much as any of the rest of the people on this list, but her posts in January 2009 alone were beautifully written and important.

And though I feel deeply awkward in saying this, the nomination stats indicate that I have previously been nominated in the Fan Writer category by more people than just Chad. So I feel obligated to point out that while my writing here and at my sadly-neglected booklog is non-professional, my writing for Tor.com is professional and thus should not be considered in this regard.

kate_nepveu: sleeping cat carved in brown wood (Default)

So I'm trying to actually read some short fiction before nominating for the Hugos this year, partly because I don't have a lot of time and partly because I'm not very enthusiastic about 2009 novels as a whole.

I've seen:

I have a copy of the anthology Federations which I am slowly working my way through. I've put in a library request for Firebirds Soaring because [livejournal.com profile] papersky's story in it is getting a lot of attention.

So: What have you read that you've liked? What have you published that's eligible? (If you're modest, you can post your eligible lists separately from your recommended lists. I want to know what my friends have published.) Either links or names of things I can get from the library, please. I'm not going to go buying back issues of magazines at this point.

Things I've read so far that I've liked—not a draft ballot, note, and I still have a lot of things left to read even from the above-mentioned sources:

  • "Carthago Delenda Est," Genevieve Valentine, Federations
  • "Bespoke," Genevieve Valentine, Strange Horizons (dilemma! I think I like "Carthago" better, but "Bespoke" is getting more buzz, so, strategy-wise . . . )
  • "Different Day," K. Tempest Bradford, Federations
  • "Élan Vital," K. Tempest Bradford, Sybil’s Garage No. 6
  • "Non-Zero Probabilities," N. K. Jemisin, Clarkesworld

So: go read those, and tell me what to read!

(If you absolutely can't stop yourself, go ahead and rec novels too, but I think I'm pretty well up on the possibilities there (things I have read or am reading but have not booklogged yet are in this LibraryThing collection) and I'd really prefer you focus on short fiction.)

kate_nepveu: raven flying across white background (fantasy)

How common are empires in fantasy that are oppressive or unjust (ETA:) and whose oppressions are a plot concern, but are not run by Evil Deities etc. and do not exist to be the opposition for the protagonist's polity? I'm thinking of David Anthony Durham's Acacia trilogy, a book that's not out yet so I'd prefer to avoid discussing it in case it's a spoiler, and . . . ?

I suspect, not very, as fantasy is well-known for its aristocratic preferences, but I thought I should ask.

kate_nepveu: sleeping cat carved in brown wood (Default)
When did it get so late? Arrgh.

White is Good, Curves are Great, but Seldom a Purple Face to Be Seen
Rani Graff, Doselle Young (M), Michelle Kendall, N.K. Jemisin
Despite the ubiquity of aliens in a range of pretty colours, SF and fantasy art still seems to be rather averse to the presentation of humans in their full spectrum. How much of this is the market? How much is it thoughtlessness? How much is it a fear of “exoticizing” and exploitation? How much is just old fashioned discrimination?

I came in late and missed all the introductions (which since the participant bios aren't anywhere to be found, even though I know people submitted them, means I must now rely on Google & inference). Young, Kendall, and Jemisin are all African-American; Young writes for American comics; Kendall ([livejournal.com profile] karnythia) is a writer and co-founder of Verb Noire, a new publisher; Jemisin is a writer. Graff is from Israel and the founder of Graff Publishing, a small press.

notes )
kate_nepveu: sleeping cat carved in brown wood (Default)

Follow-up to this weekend's post:

The Carl Brandon Society has posted an Open Letter to the SF Community re: Ellison/Bradford Incident:

the Carl Brandon Society wishes to define some basic principles of discourse which were put into question as a result of this exchange. We hope community members will consider and respect these principles in future debates and disagreements.

Go, read, sign in comments if you agree.

kate_nepveu: sleeping cat carved in brown wood (Default)

So someone falsely told Harlan Ellison that K. Tempest Bradford was saying Mean Things about him. Instead of saying, "hey, don't be mean," or even "you are a mean person for saying mean things," he goes straight to the racist slurs, calling her an "NWA," a "swineherd," and a woman of "Cuhluh" (which is apparently some horrible attempt at "ghetto" phonetics, rather than a Lovecraft reference). Also says he wants to hit her, for extra classiness, and pulls out his token black friend "discovery" Octavia Butler. (Various comments and dissections of this at Tempest's blog.)

Then he issued what he told other people would be an apology, which is . . . not. That's quoted in full at Tempest's blog; I recommend [livejournal.com profile] yeloson's summary of its full non-apology-ness.

Do not say: oh, it's just Harlan, he's like that: being a jerk doesn't get you a pass on racist comments. (Indeed, if it did, it would be quite the perverse disincentive.) Do not say: oh, it's just Harlan, no-one cares about him anyway: he's still looked up to by many as a major figure in the field, and anyway, I'm not allowed to call out racism by random people? Do not say: oh, it's just Harlan, he's really a nice guy in real life: this is real life.

Look, he called someone a n****r as an insult. You don't get to do that. And it's important that we say, no, you don't get to do that.

References: Ellison's webboard doesn't do permalinks; his first post is timestamped "Thursday, July 23 2009 19:27:11" and is currently on the second page, but will eventually scroll further back. His second is timestamped "Friday, July 24 2009 16:35:36" and is still on the front page.

kate_nepveu: green and blue fractal resembling layers of a spaceship (science fiction)

At the Readercon talk on dealing with diversity (panel notes), the speaker brought up the idea of cultures having either high or low contexts, judged by the amount that people within the culture can take for granted in talking to each other. She went on to say that you can have SF about high-context cultures, but you can't have high-context SF, because you need a way in to the society.

Being a contrary sort, I immediately tried to think of examples of high-context SF. The first that came to mind was Doctorow and Rosenbaum's Hugo-nominated novella "True Names", which struck me as self-consciously SF 301 or even higher, that is, assuming a whole lot of prior knowledge of the field and making no concessions to catch you up.

What do you all think? Am I not understanding the terms properly? What about high-context fantasy, is there anything different there?

kate_nepveu: sleeping cat carved in brown wood (Default)

Helen S. Wright's A Matter of Oaths, long long out of print, is now available as a free e-book from the author. I didn't like it quite as well as [livejournal.com profile] perkinwarbeck2, but I concur with his assessment that "if what you want is a shot of spaceships to the arteries, you could do a lot worse."

kate_nepveu: sleeping cat carved in brown wood (Default)

The game of identifying cool lines from speculative fiction novels over at Tor.com seems to have died down, without my getting to use these lines I'd picked out, so rather than let them languish in a file until the next time the game comes around, here they are:

  1. These deus ex machinas have a way of sneaking up on us literary types.
  2. No one was sorry for anything, because no living creature had done anything wrong; bad things had happened by spontaneous generation in some weird, chilly, geometric otherworld, and "were to be regretted."
  3. Miracles are like meatballs, because nobody can exactly agree what they are made of, where they come from, or how often they should appear.
  4. The National Symphony's performance of Handel's Messiah had started at eight thirty, so the choir was winding up the "Hallelujah Chorus" when the lead tenor turned into a wolf.
  5. Truth won't always out, the wages of sin are bankable, and those who live by the sword perish mostly of syphilis.
  6. Let the fairy-tale begin on a winter's morning, then, with one drop of blood new-fallen on the ivory snow: a drop as bright as a clear-cut ruby, red as the single spot of claret on the lace cuff.

Identify a quote, and you get to post your own. Written speculative fiction only please.

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